Not what you're looking for? Try a new search:
Neil Hockley et al., write that while concentrating clinical efforts on the perception of speech in many different environments, hearing healthcare providers may sometimes overlook other signals, such as music, that may be very meaningful to the patient.
Wayne Staab tells us why hearing may be the most influential sense of them all.
Peter Stelmacovich discusses the importance of playing a musical instrument for people with hearing loss.
Harry Teder returns to give us the inside story on Adaptive Compression.
Guest columnists Claude Alain and Benjamin Rich Zendel review studies that have investigated the role of musical training as a mean to mitigate age-related decline in difficulties understanding speech in noise.
Alberto Behar explains why sound levels are expressed, most of the time, in dBA, sometimes in dBC, and never in dBB.
Gael Hannan shares her dream of being able hear, understand, and enjoy music the way the hearing people do.
Kim Tillery shares some thought on how to work with individuals with a diagnoses which may interfere with a reliable CAPD evaluation.
Marshall Chasin tell us What is “Effective Quiet” for Music and Noise.
Version française disponible ci-dessous I am frequently asked by my musician clients if they can have control over my software programming when fitting and adjusting their hearing aids. At this point I usually look over my glasses frame and with my best paternalistic look, I say “no.” At this point they get impatient with me…