Menu

Canadian Audiologist

Canadian Audiologist

Vol. 11 • Issue 6 • 2024

The Official Publication of the Canadian Academy of Audiology

  • Home
  • About
  • News
  • Past Issues
Search
RSS Feed
Current Issue
  • Signup
  • About
  • News
  • Contact

In this issue

Features

  • Programming Hearing Instruments to Make Live Music More Enjoyable
    by Neil S. Hockley Frauke Bahlmann Marshall Chasin
  • A Hearing Aid Solution for Music
    by Marshall Chasin
  • The Use of a High Frequency Emphasis Microphone for Musicians
    by Marshall Chasin Mark Schmidt
  • Hearing Aids Made for iPhone®
    by Jennifer Groth
  • Shields, Screens, and Baffles
    by Sandra Teglas
  • Music and Hearing Loss: What Works for Me
    by Kyle McVea
  • Accessibility Victory for Deaf Citizenship Applicants
    by Paul Smith

Columns

  • Back to Basics
    with Marshall Chasin
  • From the Centre Out
    with Kim L. Tillery
  • The Way I Hear It
    with Gael Hannan
  • Noisy Notes
    with Alberto Behar
  • Science Matters
    with Claude Alain Benjamin Rich Zendel
  • Stories from Our Past
    by Harry Teder
  • The Wired Audiologist
    with Peter Stelmacovich
  • Trends
    with Wayne J. Staab
  • Other People's Ideas
    with Calvin Staples

Departments

  • Message from the President
  • Message from our Editor in Chief
  • Letters to the Editor

Subscribe Free to Canadian Audiologist

Stay-up-to-date with Canadian Audiologist

View Tag: ‘Fikret-Pasa’

Volume 1

Adaptive Compression – The Inside Story

with Harry Teder

Harry Teder returns to give us the inside story on Adaptive Compression.

About The Canadian Academy of Audiology

The Canadian Academy of Audiology is dedicated to enhancing the role of audiologists as primary hearing health care providers through advocacy, education and research.

  • Canadian Audiologists on LinkedIn
  • Like Canadian Audiologists on Facebook
  • Follow Canadian Audiologists on Twitter
  • About
  • News
  • Past Issues
  • Contact
  • Privacy
  • Legal
©2024 Canadian Academy of Audiology