View Tag: ‘music’
Mysteries of the Hearing Brain – Music and the Hearing Brain
Audiologists are most interested in interventions that lead to better speech understanding. However, the evidence for the benefits of music training on speech-in-noise (SIN) performance has been mixed.
A Hearing Conservation Education Program for Music Students
The authors write about how the results from their study demonstrated that a hearing conservation program could be beneficial to students of early music careers.
Music Learning for Hearing Impaired and Deaf Children: Capabilities and Effects
The uOttawa Piano Pedagogy Research Laboratory, in collaboration with researchers from uOttawa Audiology and the ENT and Otolaryngology clinic at the Children’s Hospital of Eastern Ontario (CHEO), has been running a research program to investigate the abilities of cochlear implant (CI) recipients in learning and performing music, and the effects of music learning on their hearing system and well-being.
Mysteries of the Hearing Brain – Ingredients for Effective Auditory Learning
Auditory training may be an efficacious management recommendation for older adults. The success of this training is likely to be enhanced if it employs techniques known to enhance neuroplasticity.
Reflections from a Music Educator on Interdisciplinary Audiology Research
Cathy Benedict from Western University’s Don Wright Faculty of Music takes on her fascinating journey with interdisciplinary audiology research.
In-Ear Monitors Need to be Aimed at the Eardrum…True or False?
With some assistance from his cats, Marshall Chasin concludes that there are many over-the-ear earphones (that can be used as monitors as well) that provide a wonderfully flat and broad band response without having to aim at the eardrum.
Frequency Compression is for Speech but Not Music
Frequency compression of any form can be quite useful to avoid dead regions in the cochlea for speech but this does not follow for music. Speech is speech and music is music.
The dBA Versus the dB SPL War
War stories abound as our Canadian Audiologist’s “General” Marshall Chasin takes us to the front lines of “The dBA versus the dB SPL War.”
A Musician’s Wish List for His Hearing Aids
Musicians cannot be subject to the “try this and come back in two weeks” fitting process. We need our aids to be right, from the beginning, or at least 80% there. The preprogramming formulas are not right for the demands of live music, and the audiologist often doesn’t have the sound gear to create real world level music in the clinic, which real world sound samples. Professional bass player Rick Ledbetter provides his “wish list for musicians.”
CSA Z107.56 AND SAFE USE OF MUSIC PLAYERS
Tim Kelsall writes about the concern over young (and older) people listening to personal music players as part of their daily life and how to protect them from hearing loss. CSA Z107.56 includes a section on estimating noise exposure under headsets which puts this issue in perspective. Based on research indicating that most people set the volume of music and speech at about 15 dB above the existing ambient the standard provides an estimate of their noise exposure.