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with DPA Microphones
A handheld microphone is a microphone like all others. However, how you hold the microphone affects the sound. Some use this to their advantage; others don’t realize this is the case. This article explains how your sound may change depending on how you hold the microphone.
with Anne Griffin, M.Sc. Audiology, R.Aud (NL)
Dana Song, MSc., Aud(C), Reg. CASLPO
Janine Verge, AuD, Aud(C)
Understanding potential listening barriers and identifying how to effectively maximize communication is the key to holding a successful virtual meeting.
by The Canadian Academy of Audiology
Industry News July 2020 – Remembering Mary Beth Jennings, André Gustave Joël Lafargue, CASLPO
by The Canadian Academy of Audiology
CAA News July 2020 – Webinars, Editors Corner, IDA Resources
by Brian C.J. Moore, PhD
High thresholds in the TEN are likely in all cases to be associated with a poor ability to understand speech when background sounds are present.
by Neil Hockley, MSc, Aud(C)
Within our field, we are very grateful for the work that Brian Moore has done, and it is safe to say that his work has benefitted many individuals with hearing loss around the globe.
by Christian Lorenzi, PhD
Proper scientific writing requires a keen sense of proportion, an assertive taste for parsimony and above all, elegance. This is Brian CJ Moore.
by Robert V. Harrison, PhD, DSc
Brian wrote his PhD thesis in 1971 and he is retiring at age 75? That would be 50 years worth of new knowledge to the field of audiology. Well done! Who could ask for anything Moore?
by Sara Madsen, PhD
Brian’s research has helped identify specific issues associated with using hearing aids for music. Hopefully, this knowledge can help in the development of future hearing aids that are better for music.
by Chris Plack, PhD
Brian strides over the field of psychoacoustics like a laid-back colossus, albeit one who wears socks with his sandals.